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His published interviews include dialogues with Miles Davis, George Clinton, Richard Pryor, Carlos Santana, Lenny Kravitz, Sade, Erykah Badu, Wayne Shorter, Joni Mitchell, Lisa Bonet, Samuel R Delany, Ice Cube, Dexter Gordon, Betty Carter, King Sunny Ade, Chuck D of Public Enemy, Cassandra Wilson, Jill Scott, Wynton Marsalis, Branford Marsalis, Ornette Coleman, Henry Threadgill and Vernon Reid of Living Colour.
Tate has also written for the Museum of Modern Art, The Whitney Museum, ICA Boston, ICA London, Museum of Contemporary Art Houston, The Studio Museum In Harlem, The Gagosian Gallery, Deitch Projects and the Tate Museums London and Liverpool. His writing about visual art includes monographs and essays about Chris Ofili, Wengechi Mutu, Jean Michel Basquiat, Ellen Gallagher, Kehinde Wiley and Ramm El Zee.
His books include Everything But The Burden, What White People Are Taking From Black Culture (Harlem Moon/Random House, 2003), Midnight Lightning: Jimi Hendrix and The Black Experience (Acapella/Lawrence Hill, 2003), and Flyboy In The Buttermilk, Essays on American Culture (Simon and Shuster, 1993). Next year Duke University Press will publish Flyboy 2: The Greg Tate Reader. He recently completed ‘The 100 Best Hiphop Lyrics’ for Penguin and is now working on a book about the Godfather of Soul, James Brown, for Riverhead Press.
His play My Darling Gremlin (with live music score by Lawrence Butch Morris) was produced at Aaron Davis Hall in 1993 and at The Kitchen in 1995. His short feature film Black Body Radiation was completed in 2006. He also collaborated on the librettoes for Juluis Hemphill’s opera Long Tongues (Apollo Production) and for Leroy Jenkins’ Fresh Faust, (Boston ICA Production). Tate, who performs on guitar in his group Burnt Sugar, is currently teaching a course as the Visiting Louis Armstrong Professor at Columbia University’s Center for Jazz Studies.
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