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Kenny Barron, Pianist
According to writer Arwulf Arwulf (from whom this bio is adapted), a thorough examination of Kenny Barron's musical accomplishments over a span of 50 years requires a discography of more than 200 pages. That's because in addition to a distinguished career as soloist and leader he has served as one of the most dependable sidemen in all of post-bop mainstream modern jazz. More than 40 albums have appeared under his name, and his presence on literally hundreds of recordings by other musicians paints a panoramic picture of Kenny Barron's lifelong devotion to the music.
Born in Philadelphia, PA, on June 9, 1943, he took on the piano at the age of 12, with a little help from Ray Bryant's sister, known today as the mother of guitarist Kevin Eubanks. Three years later, on the recommendation of his own big brother, saxophonist Bill Barron (1927-1989), he joined Mel Melvin's rhythm & blues band. The aspiring pianist gained more experience while working with drummer Philly Joe Jones, saxophonist Jimmy Heath and multi-instrumentalist Yusef Lateef in Detroit. Lateef's album The Centaur and the Phoenix (1960) was Kenny Barron's first modern jazz recording project, though not as a performer (Joe Zawinul was the pianist on this date) but as composer and arranger.
His recording debut as an improvising artist took place shortly after he moved to New York in 1961 and cut the first of many albums with his brother, who often aligned himself with two graduates of the Charles Mingus Jazz Workshop, trumpeter Ted Curson and saxophonist Booker Ervin. A session in 1962 found Barron working with trumpeter Dave Burns, one-time member of sax and flute man James Moody's exciting bop orchestra. Moody himself played an important role in Barron's career, first hiring him to perform at the Village Vanguard, then bringing him into Dizzy Gillespie's band. Barron stuck with Diz and Moody until 1966, performing at clubs and festivals on both coasts and touring through France and England.
Kenny Barron's first great year of independent recording activity was 1967. In addition to co-leading a band with trumpeter Jimmy Owens, the pianist made records with trumpeter Freddie Hubbard and saxophonists Joe Henderson, Stanley Turrentine, Booker Ervin, and Eric Kloss. Barron seldom recorded with anyone just once. Examples of artists who made many records with Barron during the 1970s are Moody and Lateef, and bassists Ron Carter and Buster Williams, and others such as Marvin "Hannibal" Peterson. Barron also worked regularly with saxophonists Chico and Von Freeman, John Stubblefield, Nick Brignola, and Stan Getz (with whom he toured extensively during Getz's twilight years). The stylistic range continued to widen as Barron sat in with violinists Michal Urbaniak and John Blake, drummer Elvin Jones, and singing trombonist Ray Anderson.
During the '80s, Kenny Barron played piano in the score for Spike Lee's film Do the Right Thing, appeared on multi-performer tribute albums honoring composers Nino Rota and Thelonious Monk, and became a founding member (with Charlie Rouse, Buster Williams, and Ben Riley) of the definitive Monk legacy band, known as Sphere.
A respected educator who has taught at Rutgers, Juilliard, and the Manhattan School of Music, Kenny Barron continues to create music of exceptionally high quality and substantial depth, something he has done for half a century, whether using the Fender Rhodes electromechanical keyboard, a plugged-in harpsichord, a synthesizer, or his lifelong companion, that fundamental jazz instrument, the piano.
In January 2010 Barron was one of the esteemed recipients of the NEA Jazz Master’s honor, conferring an official recognition of what Barron’s fans have already known for 40 years. Come hear an musical master speak of his life and times in the art of jazz.